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Miniatures

 

The arduous process of creating the large ensembles is seen from a distance, with dry humor and detachment, in these tabletop works. Made primarily out of paper, they are another example of paper’s strength. The sculptures become characters acting out their stories, along with their maker, a Chaplin-like figure.

 

In one, the artist stands facing a wobbly structure propped by wooden supports too tall for her to handle. In another, the studio is set up for a visit, with sculptures in progress, chairs, drawings, and even cookies arranged for a guest. In a third, the artist’s son bends toward a finished sculpture, perplexed by its stance.

Ambition and Gravity

Paper, Elmer's glue, wood, mixed media

2026

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"Is it not too tall for you?"

"Everyone must have a dream."

No Touching

Paper, Elmer's glue, wood, mixed media

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One day, I'll have an exhibition. Everyone will be welcome there.

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Boxing Ring

Paper, Elmer's glue, wood, mixed media

2026

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There are seven sculptures in the ensemble. Group them by two, by three... Then unexpected things happen.

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Collapse and Rebuild

Paper, Elmer's glue, wood, mixed media

2026

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A thousand collapses, all mine.

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Honest Assessment

Paper, Elmer's glue, mixed media

2026

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When my son stopped by the studio, and I saw him bending to look closer at my sculpture, I thought: I'll remember this moment.

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Conditional Distribution

Paper, Elmer's glue, wood, mixed media

2026

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My studio is a paper factory. Paper sculptures perched high up, propped by a chair leaning against a wall.

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Picture Day

Paper, Elmer's glue, wood, mixed media

2024

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No T-shirts, please.

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Life cycle of a sculpture

Paper, Elmer's glue, wood, mixed media

2025

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Paper, the one that arrived in a box, - I made it stand.

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Studio Visit

Paper, Elmer's glue, wood, mixed media

2024

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"Of course you can visit, please do. I'll bake cookies."

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©2026 Lydia Gladkova    

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